Albur’s Native Industries
This is a home industry based in barangay Basacdacu wherein the weaver processes and weaves her buri cloth at home from local young buri leaves. The weaver produces rolls of 4 place mats each with the place mats joined by a finer buri weave. The end product is bought by the Toril Barangay Captain for export to Cebu where the place mats are cut from the roll. The midribs of the buri palm leaf are sold for basket making. Likewise, the buri stems (pawa) are bundled and sold to Tagbanue barangay for broom making.
Funded by the municipality of Albur, a weaving shed made of bamboo with zinc roofing was built in Basacdacu housing 20 looms made by local carpenters. This is now the Center wherein the buri cloth is produced. The weavers are extended financial help from the Self-Employment Assistant Program (SEAP) of the Social Welfare Program. Such funds are used in buying the “spears of young buri leaves which is obtained from the town of Inabanga.
The weavers process the leaves themselves. They separate the young buri leaves from the “spears”, strip the fiber from them with a knife, bleach them by soaking in water containing oxalic acid, then sun dry them at their homes. When dried, they then tie the fibers in sequence to make long skeins for weaving.
Weaving is done at the Center and the weavers do these 5 days a week from 9 am to 5 pm. They weave the white buri into 8-meter lengths of cloth, 30 inches wide. The cloth is rolled up as it is woven. A standard weaver makes an 8-meter roll in five days time.
The rolls of cloth are bought again by the Toril Barangay Captain, 30 rolls at a time. No deadline is imposed and more often than not, he gives a cash advance for the cloth. The cloth is exported to Cebu from the town of Tubigon where other orders are sometimes negotiated. Previously, the cloth were made into bags and wall or ceiling coverings, but was stopped due to lack of markets for such items. It is much easier to sell the rolls of cloth.
The 5-inch-square glass coasters used colored fibers. Such fibers are bought ready-dyed from the town of Inabanga. This product is produced in the Center and sold in Bohol.
Several households of Albur earn thru the making of spear-head-shaped fans which are 30 inches by 30 inches in size. Smaller fans with a size of 18 by 18 inches are also produced. The fans are made using the strips of older buri leaves. The finished products are again bought by the Toril Barangay Captain for export to Cebu.
In Albur, 50 households make brooms from buri stems which are procured from Basacdacu, Sikatuna and Loboc. Broom making is a long process. The buri leaves are soaked for 1-1/2 to 2 months until the fibers separate. They are then dried in the sun. The fibers with darker brown color are rejected for they are weak.
Bundles of fiber are bend double over both sides of a wooden peg through the end of a short, thin bamboo pole that forms the handle and ties them on with one or two strong fibers. A baton of wood is then placed on each side of the fan of fibers, and the two batons tied to each other at the ends. Cutting the fibers to the same length levels the broom end.
Larger brooms uses an extra bundle of fibers which are added to each side of the fan of fibers and tied in several places to the broom handle by encircling them and the handle with strong plastic twine. A few green or red fibers are included on each side for decoration. The ends of these extra fibers are cut straight on the handle, and the broom is made stronger by sewing through all the fibers across the narrower part of the fan-shaped broom.Salt
Another income generating venture of the people of Albur is salt-making. Production begins when the upland farmers plow their fields for rice production. This is because the "asinderos" or salt-makers trade their salt for rice in a barter system, and salt production takes about as long as the growth of the rice it will be exchanged for.
The fibrous husks of a large number of coconuts are placed in pits on the landward edge of the mangrove area. These fill with seawater at high tide, and this is retained in the pits for the salt water to be absorbed into the fiber of the husks. After an unspecified time of soaking, the husks are removed from the salt water and allowed to dry, and then burned in the center of the salt-making hut to leave a fine ash mixed with salt.
The ashes are then packed in a cone of bamboo about 1½ meter high. Seawater is poured into the top of the cone and leaches out the salt in the ash as it passes through. The water is caught in a wooden trough below the cone. This extra-salty water is then put into very small clay pots, and these pots wedged together in a series of "bridges" across a large gutter made from compacted coconut husk ash.
A fire of palm wood is stoked beneath the suspended pots to "cook" the salty water. The water evaporates, leaving the dry salt in the pot. More and more of the super-salty water from the ash-filled cone is continually added to the pots. The fire is kept burning, until the pots are full to the brim with salt. It takes one day to obtain the ash from the dried coconut husks, and 100 pots can be filled with dry salt over the fire in 3 hours.Clay Pots
Albur has an abundant supply of red clay and so a fairly large number of families are engaged in the pottery business. The pottery-making enterprise is located beside the main road in East Poblacion. Clay is dug from a pit near the sea, and mixed with silicate soil before being ground through the large rollers of an electric mill, in a pit beside the pottery works. This is mixed with water and molded into pots of various sizes and shapes on a potter’s wheel, rotated by the potter pushing round a car wheel below the turntable with his feet.
Various clay pots are made. Some of the finished products are tall and large, elegantly-shaped pots for storing water; round-bottomed pots for cooking and straight-sided water pots used in the poultry as well as the round-bottomed pots for salt making. These are in addition to the common flower pots of different sizes and shapes, and the decorative jars. There is no limit to the creativity of each potter.
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